Feature Film

MARIEKE
MARIEKE

A film by
Sophie Schoukens
A poetic exploration of memory and identity in contemporary Belgium
French Language English Subtitles 98 min
Official Poster

Synopsis

In the heart of Brussels, Marieke, a woman in her late thirties, navigates the fragmented memories of her childhood while facing an uncertain future. When she discovers a box of old Super 8 films in her late grandmother's attic, she embarks on a journey through time and identity.

The film weaves between present-day Brussels and 1990s Flanders, exploring themes of cultural duality, familial bonds, and the elusive nature of memory. With poetic visuals and intimate storytelling, "Marieke Marieke" offers a contemplative look at what it means to belong.

A visually stunning meditation on memory and identity that stays with you long after the credits roll.

- Cinéma Belge Magazine

Cast & Crew

Hande Kodja

as Marieke

Belgian actress. In Marieke, Marieke she plays the lead: a 20-year-old trying to hold her life together through routine while avoiding grief and family silence.

Jan Decleir

as Jacoby (book editor)

Belgian actor with a long career in cinema and theatre. Here he plays Jacoby, a book editor whose search for a missing manuscript pushes the family’s past back into the present.

Barbara Sarafian

as Jeanne (Marieke’s mother)

Belgian actress known for strong character roles. She plays Jeanne, a mother whose grief hardens into control—trying to keep the past buried, even when it damages her daughter.

Caroline Berliner

as Anna (Marieke’s friend)

German actress. As Anna, she represents the “normal world” around Marieke—friendship and everyday support that contrasts with Marieke’s isolated coping patterns.

Sophie Schoukens

Director & Writer

Belgian filmmaker. Marieke, Marieke is a Brussels-set character drama told with restraint and behavioural realism.

Jan Roekens

Producer

Producer of the Belgian–German co-production, supporting production and international festival circulation.

Alain Marcoen

Cinematography

Director of Photography. Grounded, intimate visuals that keep Brussels lived-in rather than postcard-styled.

Peter Woditsch

Editing

Editing focused on tension and silence, letting scenes breathe instead of forcing explanations.

Jeff Mercelis

Original Music

Composer. The score reinforces atmosphere without instructing the audience what to feel.

Astrid Pöschke

Production Design

Realistic interiors and everyday spaces that carry the film’s emotional pressure and lived-in tone.

Nadine Kremeier

Costume Design

Costume work kept natural and character-led—functional, lived-in, and consistent with the film’s realism.

SOPHIMAGES & PALLAS FILM

Production Companies

Belgian–German production partnership behind Marieke, Marieke and its festival distribution.

Technical Details

Film Specifications

  • Genre: Drama / Arthouse
  • Runtime: 98 minutes
  • Format: Digital Cinema Package (DCP)
  • Aspect Ratio: 2.35:1 (CinemaScope)
  • Sound: 5.1 Surround Sound
  • Resolution: 4K (Ultra HD)

Language & Subtitles

  • Original Language: French
  • Subtitles Available: English, Dutch, German
  • Closed Captions: Available (English)
  • Audio Description: Available (French)
  • Release Format: Theatrical & Festival

Press Materials

Stills & Photos

High-resolution production stills, behind the scenes, and director portraits.

Download Gallery

Press Kit

Complete press kit including synopsis, director's statement, and bios.

Download PDF

Posters & Artwork

Official posters in multiple formats and languages for promotional use.

Download Assets

Festivals & Screenings

Sep 2010

Film Festival Oostende

Preview screening • Belgian festival launch

Ostend, Belgium
Archive
Sep 2010

San Sebastián International Film Festival

World premiere • New Directors competition

San Sebastián, Spain
Premiere
Oct 2010

Festival International du Film Francophone de Namur (FIFF)

Official selection • Francophone showcase

Namur, Belgium
Archive
Oct 2010

Raindance Film Festival

Festival screening • International independent selection

London, United Kingdom
Archive
Oct 2010

Hof International Film Festival (Hofer Filmtage)

Festival screening • Bild-Kunst craft award (production design)

Hof, Germany
Award
Nov 2010

International Filmfestival Mannheim-Heidelberg

Official selection • Festival screening

Mannheim / Heidelberg, Germany
Archive
Dec 2010

Marrakech International Film Festival

Festival selection • International programme

Marrakech, Morocco
Archive
Mar 2011

Prague International Film Festival — Febiofest

New Europe competition • Festival screening

Prague, Czech Republic
Archive
Jun 2011

Transilvania International Film Festival (TIFF)

Focus Belgium selection • Festival screening

Cluj-Napoca, Romania
Archive
Sep 2011

International Film Festival Cinematik

Festival screening • European cinema programme

Piešťany, Slovakia
Archive
Oct 2011

Haifa International Film Festival

Festival screening • International selection

Haifa, Israel
Archive

Marieke, Marieke is a French-language Belgian–German drama feature written and directed by Sophie Schoukens. Set in Brussels and told with a close, restrained style, the film follows a young woman who tries to keep her life functional while quietly running on habits that are breaking her from the inside.

What kind of film is it?

This is not a “plot-first” movie. It is a character-driven European drama built around behaviour, silence, and consequence. The camera stays near faces and small spaces, not to decorate the story, but to increase pressure. The film avoids easy explanations: it shows choices before it explains them, and it treats discomfort as part of the truth rather than something to smooth out.

If you’re looking for a clean genre label, “drama” is correct, but too small. The film also works as a psychological coming-of-age story, where growing up is not a celebration but a confrontation: the moment you understand that coping is not the same thing as living.

Synopsis

Marieke is 20 and lives with her mother, Jeanne. By day she works at a chocolate factory in Brussels, holding onto routine because routine doesn’t ask questions. By night she searches for warmth in relationships with much older men. It is not a glamorous double life; it is a strategy. With older men she can feel protected, briefly valued, briefly safe-without the risk of being truly seen.

The fragile balance changes when Jacoby arrives. He is a book editor living abroad, and he is looking for Marieke’s late father’s final manuscript. What sounds like a professional request becomes a threat to the family’s silence. Jeanne tries to keep Jacoby away, insisting the past should remain closed. Marieke refuses the boundary, and the search for a manuscript becomes a search for the truth: about her father, about her mother, and about the patterns Marieke uses to avoid grief.

Core credits

For catalogue entries, festival programme notes, and film databases, these are the essentials most people verify first:

Principal cast

The film’s impact depends on performance and tension rather than spectacle. The principal cast commonly listed in public catalogues includes:

Why people keep searching for “Marieke, Marieke”

Most visitors arrive for one of three reasons: they saw the film at a screening and want the credits, they heard about it through a festival programme, or they are looking for a short, accurate synopsis. The title is often searched together with the director’s name (Sophie Schoukens) and the lead actors (Hande Kodja, Jan Decleir), because those are the clean identifiers that help differentiate this film from unrelated results.

If you decide to watch it, go in expecting realism and restraint: a story where the city feels lived-in, the relationships feel complicated, and the emotional turning points come from small decisions that finally become impossible to ignore.


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