Marieke, Marieke — video

Official trailer (English subtitles)

If you only watch one video, make it this one. The English-subtitled trailer is the fastest way to understand what kind of film this is: a young woman trying to stay functional while her private coping patterns pull her deeper into isolation. You’ll also catch the central tension: the arrival of an older book editor and the manuscript that forces the family’s silence into the open.

Trailer with English subtitles - useful for international viewers, festival audiences, and programme pages.

Trailer (original / alternative cut)

Trailers sometimes exist in multiple cuts: different pacing, slightly different scene choices, a different “first impression”. This version is helpful if you want to compare tone and emphasis. It can also be useful for editorial use when one upload is blocked in a region and another is not.

Alternate trailer upload - often used as a backup reference for viewers and listings.

Trailer (Czech version / festival circulation)

The film circulated across European territories and you will find local trailer versions (with different subtitles and sometimes different title treatment). This Czech trailer is a good example of how the film was presented in regional contexts. If your audience is Central European or you are building a multilingual archive page, this kind of trailer version is valuable.

Czech HD trailer - illustrates regional festival/distribution presentation.

European industry trailer (Cineuropa)

Cineuropa is a well-known European film industry platform and often hosts trailers for festival titles. If you need a non-YouTube option (for editorial embedding policies, institutional sites, or archival reasons), the Cineuropa trailer page can be useful. Some organisations prefer an industry-hosted file reference when building programme pages.

Note: if you embed or reuse industry-hosted players, follow the platform’s credit requirements and embed instructions.

How to use these videos (practical rules)

If you’re a programmer, journalist, or cinema partner, keep video usage clean:

• Prefer the English-subtitled trailer for international pages and festival listings.
• Use one trailer per page section; don’t stack five embeds in a row without explanation.
• Don’t autoplay multiple videos. Let the viewer choose.
• Keep titles and captions factual; avoid sensational descriptions that misrepresent the film’s tone.

For viewers, the best viewing order is simple: start with the English-subtitled trailer, then watch an alternate cut if you want more context, and use the regional versions only if you need the language/subtitle format.